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1 alternative basis for determination
Финансы: альтернативный метод определенияУниверсальный англо-русский словарь > alternative basis for determination
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2 альтернативный метод определения
Finances: alternative basis for determinationУниверсальный русско-английский словарь > альтернативный метод определения
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3 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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4 ὅρος
Grammatical information: m.Meaning: `border, boundary mark (pole, column, stone), term, limit, mark, appointment, definition' (Att. Cf. Koller Glotta 38, 70ff.).Compounds: Sometimes as 1. member, e.g. ὁρο-θεσία f. `the fixing of boundaries' (hell. inscr., Act. Ap., pap.), as νομο-θεσία a.o., formal from ὁρο-θέ-της (gloss.), comp. of ὅρον θεῖναι with τη-suffix; often as 2. member, e.g. δί-ωρος `with two boundary stones' (Arc. IVa), ἀμφ-ούρ-ιον n. `toll, paid by the seller to the owner of the neighbouring estate as a fixation of the sale' (pap. IIIa, Rhod. inscr. IIa), ἀμφουριασμός m. (*ἀμφουρι-άζω); s. Wilhelm Glotta 14, 68ff., 83, Preisigke Wb. s.v.; zu εὑθυωρία s. v.Derivatives: 1. ὅρία n. pl. (rarely sg.) `borderline, border areas etc.' (Hp., Att., Arc.); 2. ὁρία f. `border' (Att. inscr.); 3. ὅριος `belonging to the border' ( Ζεὺς ὅρ., Pl., D.) = Lat. Terminus (D.H., Plu.); 4. ὁρικός `belonging to definition' (Arist.); 5. ὁρ-αία τεκτονική = gruma, - ιαῖος λίθος (gloss.); 6. ὁρίζω, aor. - ίσαι (Ion. οὑρ-), often w. prefix, e.g. δι- ( ἐπι-δι- etc.), ἀφ-, περι-, προσ-, `to border, to demarcate, to separate, to determine, to define' (IA.) with ( ἀφ-, περι-, δι-)ὅρισμα ( οὔρ-) `limitation, border' (Hdt., E.), ( ἀφ-, περι- etc.) ὁρισμός `limitation, determination etc.' (Att.), ( δι-)ὅρισις (Pl., Arist.), ὁρισ-τής m. `landmarker' (Att., Tab. Heracl.), - τικός `belonging to limitation or determination, limiting, defining' (Arist.). -- 7. ὀρεύς s. v.Origin: IE [Indo-European]X [probably] [?] *(u̯)eru̯-?Etymology: Not certainly explained. -- An orig. (h) όρϜος (= Corc.) can stand for still older *ϜόρϜος (Schwyzer 306 a. 226 f.) and can be connected wih Lat. urvāre ( amb-) `surround with a (boundary)furrow' (Fest. from Enn., Dig.) as a cognate; the basic noun urvus `circuitus civitatis' (gloss.; transm. urus) can agree except for he ablaut (IE *u̯r̥u̯os against *u̯oru̯os). Here also Osc. uruvú from PItal. * urvā, if with Schulze ZGLE 549 n. 1 a.o. `boundaryfurrow, border' (cf. Vetter Hb. d. ital. Dial. 1, 442). Further connection wih ἐρύω `draw' (s.v.) is then possible. -- Also an alternative basis *ὄρϜος (w. second. asper) can be combined with Lat. urvus (then from *r̥u̯os; to ὀρύ-σσω?, s.v.). -- WP. 1, 293 a. 2, 352 f., W.-Hofmann s. urvus w. further lit. S. also οὑροί and 2. οὖρον.Page in Frisk: 2,425-426Greek-English etymological dictionary (Ελληνικά-Αγγλικά ετυμολογική λεξικό) > ὅρος
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5 решение
solution, decision, determination• Альтернативное решение, данное Смитом [1], состоит в следующем... - An alternative solution given by Smith [lj is...• Более стандартным (= обычным) является представление решения в терминах... - It is more usual to express the solution in terms of...• Более удобные формы решения были получены Смитом [1]. - More convenient forms of solution have been obtained by Smith [1].• Более удовлетворительное в этом отношении решение получается... - A more satisfactory solution in this regard is obtained by...• Будем искать решение в виде... - Let us seek a solution of the form...• В подобных случаях можно использовать приближенное решение. - In such cases, approximate solutions may be used.• В этом случае наше решение более не является точным, потому что... - Our solution is no longer exact in this case, because...• Давайте использовать это решение, чтобы получить... - Let us use this solution to obtain...• Данное решение противоречит физическому смыслу в том, что... - A nonphysical aspect of this solution is that...• Данные результаты могут быть использованы для проверки численного решения. - These results provide a useful check on numerical solutions.• Для этой дилеммы не существует настоящего решения. - There is no real solution to this dilemma.• Другой способ решения задачи начинается с уравнения... - Another attack on the problem starts from the equation...• Еще более общие решения могли бы быть сконструированы (с помощью и т. п.)... - Still more general solutions may be constructed by...• Здесь рассматривается общий метод получения этих решений. - A general method of obtaining these solutions is considered here.• Имеются три способа решения такой задачи. - There are three ways of attacking such a problem.• Итак, мы могли бы попытаться найти решение уравнения (1)... - Thus we may attempt to find a solution of (1) by...• Качественное поведение решения легко представить графически, если... - The nature of the solution is easily pictured if we...• Мы будем использовать это решение, чтобы построить... - We shall use this solution to construct...• Мы ввели широкий спектр методов для решения... - We have introduced a wide range of procedures for solving...• На интервале [0,1] имеется ровно одно решение х. - There is exactly one solution x in the interval [0,1].• На самом деле данная проблема заключается в решении... - The problem is really one of solving...• Наиболее элементарным способом решения уравнения (1) является... - The most elementary approach to the solution of (1) is...• Нам необходимо определить решение... - We need to determine the solution of...• Общее решение здесь невозможно, так как... - No general resolution is possible, since...• Обоснованием для этой схемы решения служит то, что... - The justification for this solution scheme is that...• Однако решения все еще могут быть получены, обращаясь к чисто численным методам. - Solutions can still be obtained, however, by resorting to purely numerical methods.• Одно такое решение дается (формулой и т. п.)... - One such solution is given by...• Окончательное решение является компромиссом между... - The final solution is a compromise between...• Она (задача) будет иметь решение тогда и только тогда, когда... - This will have a solution if and only if...• Очевидно, что эти решения не так ценны, как... - Clearly these solutions are not as valuable as...• Перед тем как упростить данное решение, давайте проверим... - Before simplifying this solution, let us examine...• Под решением этой задачи мы понимаем... - By solving this problem we mean that...• Подобные решения наиболее полезны для вычисления... - Such solutions are most useful for calculating...• Полное решение дается... - The full solution is given by...• Получим теперь решение... - We shall now derive a solution of...• Поучительно провести детальное решение... - It is instructive to carry out in detail the solution of...• Прежде чем приступить к решению уравнения (3), мы сначала обсудим... - Preparatory to solving Eq. (3), we will first discuss...• При а < 0 у уравнения (1) решение не существует. - Equation (1) has no solution for a < 0.• При решении данной задачи валено отметить, что... - In solving this problem it is important to notice that...• Приближенное решение получается... - The approximate solution is obtained by...• Проблема... до сих пор не имеет удовлетворительного решения. - The problem of... has not yet been solved satisfactorily.• Процесс решения усложняется наличием... - The solution process is complicated by the presence of...• Решение может существовать только при выполнении следующих условий. - A solution can exist only under the following conditions.• Решение не существует при р > 0. - A solution does not exist when p > 0.• Решение подобной проблемы легко выводится из рассмотрения... - The solution to such a problem is readily deduced by considering...• Решение этой дилеммы было предложено Смитом [1] в 1980 г. - A way out of this dilemma was proposed in 1980 by Smith [1].• Решения этих уравнений можно получить графически (с помощью и т. п.)... - Solutions to these equations can be obtained graphically by...• Решения этого уравнения называются... - Solutions to this equation are called...• Решения этой задачи легко вытекают из... - Solutions of this problem follow readily from...• Следовательно, мы обязаны изучить решения (уравнения и т. п.)... - We must therefore study solutions to...• Следовательно, необходимое решение принимает вид:... - The required solution is therefore...• Следовательно, полное решение имеет вид... - The complete solution is therefore...• Следовательно, у нас получилось формальное решение для... - We therefore have a formal solution for...• Следующий пример демонстрирует этот тип решения. - The next example demonstrates this type of solution.• Существует много способов решения данной задачи. - There are many ways to solve this problem.• Существуют разные пути решения этой задачи. - There are various ways of tackling this problem.• Теперь у нас имеется полное решение для... - We now have a complete solution for...• То, что данное решение является единственным, следует из... - That this solution is unique follows from...• Точное решение возможно только если... - An exact solution is only possible if...• Точные решения уравнения (1) могут быть получены в терминах известных функций, когда... - Exact solutions to (1) can be obtained in terms of known functions when...• Чтобы завершить это решение, мы должны... - То complete the solution, we must...• Эта глава представляет один подход к решению... - This chapter presents one approach to the solution of...• Эта техника обеспечивает рациональный базис, на основе которого инженеры могут принимать решение относительно... - The technique provides a rational basis on which engineers can make decisions about...• Эти уравнения имеют нетривиальное решение, только если... - These equations have a nontrivial solution only if...• Эти уравнения редко имеют аналитические решения. - Analytical solutions to these equations are seldom possible.• Это не будет точным решением, так как... - This will not be an exact solution since...• Это решение можно получить наиболее просто, используя... - The solution is most readily obtained by the use of...• Это решение основано на предположении, что... - This solution is based on the assumption that...• Это решение основывается на предположении, что... - This solution is based on the assumption that...• Это решение приложимо только если... - This solution applies strictly only when...• Это уравнение имеет одно и только одно решение. - This equation has one and only one solution.• Этот фундаментальный подход полезен при решении... - This fundamental approach is useful in solving...
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